WVR5250 SDI/HDMI Waveform Rasterizer

SDI and HDMI multi-format, multi-standard portable waveform rasterizer

The WVR5250 waveform rasterizer that offers uncompromised monitoring quality with sharp CRT-like traces, SDI (SD/HD) and HDMI monitoring, with a range of software options, and an upgrade path to 3G-SDI.

This portable video waveform rasterizer weighs less than 3 kg, that provides an ideal solution for basic video and audio monitoring needs in a convenient 1RU half-rack short depth form factor, suitable for space-constrained environments. The WVR5250 supports options to accept power from a 12 VDC source or a 100-240 VAC converter.

Data Sheet

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Models in the WVR5250 SDI/HDMI Waveform Rasterizer Series:

Model	Formats	Features	Measurements	Monitoring	Generation	List Price
WVR5250 Read Reviews Write Review	SD, HD, Dual Link, 3G (Option 3G), HDMI	1 RU Short Depth, Half Width; AC, DC	Data Analysis (Option DATA)	Multiple Inputs, Gamut, Simultaneous Input (Option SIM), Audio (Option AUD), 3D Stereoscopic (Option S3D)	Basic Test Signal (Option GEN)	Get Price

Features	Benefits
4 Tile monitoring	Streamline the camera set up process overlaying the Waveform & Vector or Waveform & Lightning displays, plus Picture Thumbnail, in a single tile display.
Audio Loudness monitoring / measurement capabilities (Option LOUD + Option AUD)	Monitor the loudness changes between programs and commercials ATSC A85 and ITU 1770/1771 Recommendations.
Advanced color gamut displays (Spearhead and Luma Qualified Vector – LQV displays) which work in conjunction with Diamond gamut display (Option PROD)	Provides the most comprehensive color gamut monitoring tool for precise color gamut adjustments.
Multi-rate Color Bar and Pathological Signal Generator (Option GEN)	Provides engineers with a simple signal source for quick signal path verification during system and/or equipment setup and troubleshooting.
HDCP (High-bandwidth Digital Content Protection) support	Allows monitoring of consumer Set-Top Box or Blu-ray device to verify content.

Accessory	Description
VTSRACK-L1	Full rack (19), full depth, 1RU adapter (with 1.75 rack space) to fit one WVR5200, WVR5000, WVR4000, or SPG300
VTSRACK-L2	Full rack (19), full depth, 1RU adapter (with zero clearance mounting) to fit one or two (side by side) WVR5200, WVR5000, WVR4000, or SPG300
VTSRACK-S2	Full rack (19), short depth, 1RU adapter (with zero clearance mounting) to fit one or two (side by side) WVR5200


Learn More: WFM52X0 and WVR52X0 Series System Firmware Customer Distribution, V2.8.6
Learn More: WFM5200, WVR5200 SERIES WEB USER INTERFACE APPLICATION FOR SW VER 2.6.2

Title
LQV (Luminance Qualified Vector) Measurements with the WFM8200/8300 How To Guide Learn how the patented Luminance Qualified Vector (LQV) Display enhances the current Diamond/Split Diamond, Arrowhead and Vector Displays.
Color Correction for Video Chapter 3 excerpt from Hullfish's larger book on Color Correction for Video.
Audio Loudness Monitoring How-To Guide This hands-on guide making Audio Loudness measurements with the Tektronix waveform monitors or rasterizers provides step by step instructions on how to configure a waveform monitor to make loudness measurements to one of the standards ATSC A/85, EBU R 128 or ARIB TR-B.32.
Preventing Illegal Colors To prevent the undesired impact of color gamut violations, Tektronix has developed several displays that simplify assessment of proper gamut compliance.
10 Things you Need to Know About the Value of Scopes as Creative Tools Have you ever wanted to make a final sequence look better? Have you ever wondered what colors you are really looking at? Tektronix has developed a set of tools that can help editors and colorists easily adjust the color fidelity of the image and maintain the video signal within suitable gamut limits.
Download the Custom Presets from the Color Correction for Video Using Custom Presets Application Note
Color Correction for Video - Scene Matching Editor and Colorist Steve Hullfish demonstrates how to make two shots in a scene look like they belong together even if they were shot by different cameras or at different times of day. Learn how to save time by overlaying the LIVE feed from your system on TOP of the captured still.
Primary Color Correction for Video - Tonal Range and Color Correction Editor and Colorist Steve Hullfish demonstrates 4 reasons what external waveform monitors are needed for color correction: 1) Improves the Resolution 2) Displays the actual output 3) Preset monitor configurations save time 4) Unique Luma Qualified Vector (LQV) Color Gamut displays improve the quality of the artistic rendering
The Benefits of External Waveform Monitors in Color Correction for Video Editor and Colorist Steve Hullfish demonstrates 4 reasons what external waveform monitors are needed for color correction: 1) Improves the Resolution 2) Displays the actual output 3) Preset monitor configurations save time 4) Unique Luma Qualified Vector (LQV) Color Gamut displays improve the quality of the artistic rendering
Camera Setup, Alignment and Matching Measurements Image quality all starts with the correct alignment of the camera which is used to capture the scene either on location or in the studio. Understanding the adjustments that are necessary using a suitable camera chart and waveform monitor, as well as matching multiple cameras, is critical to ensure a high quality image and prevent mistakes from occurring – mistakes that are costly to fix in the post production process.

The Art of Color Grading with Scopes

Have you ever wanted to make a final sequence look better? Have you ever wondered...

Duration: 27:52
Using Waveform Monitors as Artistic Tools in Color Grading

Improve your color correction skills by learning how to use the simple, visually...

Duration: 33:36
Editing for Compliance to Broadcast Specifications

Editor and Colorist Steve Hullfish demonstrates how to use a Waveform Monitor to...

Duration: 6:43
Color Correction for Video Using Custom Presets

Editor and Colorist Steve Hullfish demonstrates how to improve your Color Correction...

Duration: 7:06
Color Correction for Video - Scene Matching

Editor and Colorist Steve Hullfish demonstrates how to make two shots in a scene...

Duration: 5:38
Primary Color Correction for Video - Tonal Range and Color Correction

Editor and Colorist Steve Hullfish demonstrates primary color correction techniques...

Duration: 6:10
Benefits of Waveform Monitors in Color Correction for Video

Editor and Colorist Steve Hullfish demonstrates 4 reasons why external waveform...

Duration: 6:05
Camera Matching & Alignment Video

Steve Chauncey, a Video Engineer from All Mobile Video in New York City,...

Duration: 8:51

Title
Loudness Measurement and Monitoring Part 1 New changes to the ITU-R BS.1770-3 standard for measuring and controlling Audio Loudness now allow operators and engineers to easily monitor the audio loudness of their programs. Learn more about these important changes through this Tektronix webinar: • Part 1 provides information on the basics of the standards • Managing audio loudness using the updated ITU-R BS.1770-3 standards • ATSC recommended practice A/85 that provide techniques for establishing and maintaining audio loudness (CALM Act)
Color Gamut Monitoring Webinar Description: This webinar will explain how the industry's most comprehensive color gamut monitoring tools can be applied for precise color gamut adjustments when used in conjunction with Tektronix' patented Diamond gamut and Spearhead displays. Techniques using the new gamut monitoring technologies to help produce and qualify video content will also be covered.
Broadcast Data Analysis / Ancillary Data Webinar Today a wide variety of ancillary data is being carried within the serial digital interface (SDI) and it is important to ensure that this data is correctly formatted and conveys the correct information within the packet.